Your disease in me
My First Miracle: The Day Our Token Skyrocketed
It had been weeks since our NFT marketplace was working smoothly. The guys at enter.art had implemented the features we were waiting for: Split royalties, multi-minting, low gas fees, zero platform commissions on sales… But Still, our $nftart token was near the historic low at 0.0000000005. So, Monday night I bought some tokens because they were cheap (I do this at flooz.trade) and put them to stake at Pancakeswap.
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Some Balancing Going on, here. |
On Tuesday I was featured on Enter’s Twitter with this image.

Jozin asked that Tuesday: “Will Louis change the downtrend?”, I answered “I hope we all do”. So, by Wednesday, when the token was 22% up, I claimed it was MY miracle.
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“After Enter mentioned me, this happened. Coincidence? MAYBE”- I said. But by the time the raise was not of 22% but of more than 164%, I went to Enter’s Discord to see what happened. Apparently it had nothing to do with me but with something called the #entershillgang and #enterarmy. These guys from Norway did not want to do marketing until the platform was flawless. And the time had come. It was pure genius, and also a class of Sociology.
This is not any type of financial advice. Religious, advice, MAYBE.
Go West!
Like so many artists these days, I see in NFTs a new world, a golden that will allow us to sell everything which was considered impossible to market, our digital creations. Not a long time ago we saw the fall of Blockbuster, the music industry and golf; but it is the surge of the digital contracts what enables anyone to declare property over digital files.
There we go, sailing West, willing to see with our own eyes how Mr. Nakamoto's invention, the good old blockchain, allows digital creators to claim property --copyleft and common fair use too-- of our selfies, GIFs, PDFs and cat videos.
Go West!
Arte en Puebla / Mis artistas favoritos de Puebla
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14999 de Luis Ricardo |
¡Ay, tormentos rabiosos!
Ojos claros, serenos,
ya que así me miráis, miradme al menos.
Luis Lagarto
En fin, empiezo por mi tocayo Luis Lagarto, que murió en 1624 en Puebla y que se dedicaba al oficio de iluminar, es decir, a ilustrar textos y partituras religiosas. ¡Y de qué forma! Muchas de estas ilustraciones tenían que representar una letra mayúscula, porque indicaban el inicio de un nuevo episodio, esas se llamaban "capitulares". A él lo conocí porque parte de su obra está en la colección del Museo Amparo.
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Capitular |
Agustín Arrieta
Del él me gusta El costeño (1840s), que está en Nueva York.
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El costeño |
Nora Adame
Me gusta cuando se despeina y no hace retratos de gente. Ejemplo, en la imagen anterior, que usa lentejuelas, listones, pedrería, etc. Me gusta también cuando usa sus etiquetas, pero no tanto cuando las fuerza hacia lo figurativo. En fin, me centro en lo positivo, cuando expresa con libertad, es bárbara. Aquí está su página web.
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Nora Adame, Piggy Girl (2019) |
Luis Ricardo
Mi artista favorito, indudablemente. Todo su trabajo está hecho a mi gusto. Los personajes medio bestiales, medio descubriendo su inteligencia... El bolígrafo vuelto en sus manos lápiz de 6H, eso no es fácil de lograr... Vendo mis dibujos como NFTs en galerías como esta.
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El hombre nuevo, (2022) |
Sarah Minter
Reconocimiento a las agallas de Sarah Minter, pionera del videoarte y la experimentación audiovisual en México.
Sinfonía 13 - Street Símphony from Sarah Minter.
Manuela Cecilia Lino Bello
Manuela Cecilia preservó la tradición de los tejidos con tintes y colorantes naturales, por ejemplo el rojo de la cochinilla grana. Hueyapan, Puebla.
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Foto de Pascacia Cecilia Jaime Lino |
Ramón Almela
Ya que mencionamos a la maestra Manuela Lino, creo que es momento de mencionar al maestro Ramón Almela, que ha dedicado su vida enseñando a las y los jóvenes de Puebla a dibujar. Puebla, a cambio, le ha negado el reconocimiento que él merece.
Raymundo Sesma
Es chilango, pero vive en Puebla, me gusta su composición intuitiva, su maravillosa transformación del espacio arquitectónico en película de Star Wars. O en cirtuito de computadora.
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Campo Exprandido 7, (2007) |
Devin Cohen
My friend, true creative force, born in Filadelfia, the self-taught poet, musician and painter Devin Cohen is my favorite artist in Puebla. His site.
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Proximity, (2016) |
My Sour-sweet Story on OpenSea
The art scene is not easy for Latin Americans; you have probably heard this. Our art stars are mostly white, they come from wealthy families who own art collections, and so on. It is what Pierre Bourdieu talked about in “The Heirs,” right?
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So, I signed up to Opensea.io; I took photos of my ID, passport, and myself. I connected my actual debit card and paid my two hundred dollars (more or less, I will explain later) to list items. You mint them for a small price. To mint means that you upload your file, and then you list it, which is you put a price on it or place it for auction. For some steps you pay a price, it is called gas, and I understand it is becoming more expensive these days.
But I thought, “Everything will be different in the NFT art market, which is democratic, right? Everyone is making millions”. Sure, son.
Then comes the sad part. Unless you have a verified account on Opensea, they treat you like a hacker. They warn anyone willing to buy your item that Opensea has not checked the origin of the NFT and might be a scam. Holy smokes, thank you very much, Opensea. I must say that I am a verified Giphy artist, so this fate is shared by hundreds and hundreds, famous and verified included.
I realize that Opensea and the NFT market is such a small, close club, just like the art scene in Latin America. You need to have sold in order to sell. And your platform warns everyone away.
Then comes the sad part. Unless you have a verified account on Opensea, they treat you like a hacker, warning your potencial costumers that Opensea has not checked the origin of your NFT, and it might be a scam. Holy smokes, thank you very much, Opensea. I am a verified Giphy artist, so I can say that this is the fate of hundreds and hundreds, famous and verified included.
I realize that Opensea and the NFT market is such a small, close club, just like the art scene in Latin America. You need to have sold in order to sell. And your platform warns everyone away. Not to mention that the recent boom on NFT’s has made that there are 15 million items on the platform, and numbers are rapidly multiplying.
And finally: What mistakes I made and what I would recommend to the upcoming NFT artists:
▸ Spare some hundred dollars, double-check that you have enough funds because you will lose your money if your transaction does not complete. That happened to me a couple of times.
▸ Choose fast over slow when it comes to your payment.
▸ Become visible and post an official list for your NFTs so that everyone can verify the origin and authenticity of your tokens.
▸ Make some friends. Buy and sell among you.
▸ Do not be like me, do not sound desperate.
I want to share with you some great NFTs which might never sell, but I recommend them anyway:
Moun Gaman, which you can find here.
Devil Crab, you find it over here.
And When I sell my NFT, which goes here.
My mate, that has more views of his son’s drawing, than his own art. Which is funny.

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